ART NOUVEAU
ART NOUVEO
The Movement’s Origins
- The term Art Nouveau first appeared in the Belgian art journal L’Art Moderne in 1884 to describe the work of Les Vingt, a society of 20 progressive artists that included James Ensor.
- These painters responded to leading theories by French architect Eugène-Emmanuel Viollet-le-Duc and British critic John Ruskin, who advocated for the unity of all arts.
- In December 1895, the German-born art dealer Siegfried Bing opened a gallery in Paris named “Maison l’Art Nouveau.”
ARTIST
AUBREY BEARDSLEY

- Aubrey Beardsley's artistic career was remarkably impact for its brevity.
- In the seven years he was able to draw and write before succumbing to tuberculosis, Beardsley developed a reputation as one of the most controversial artists of his time.
- The diabolic beauty of his work and its overwhelming presence in English publishing houses meant that Beardsley quickly became the most influential draftsman of his time.
- More than mere illustrations, Beardsley's images captured the mood of the accompanying text, while aggressively critiquing repressive Victorian concepts of sexuality, beauty, gender roles, and consumerism.
THE PAINTING
The Black Cat
Artwork description & Analysis:
- Beardsley produced this illustration for one of Edgar Allan Poe's darkest tales by the same name.
· Poe was an important literary figure for
Symbolist and Decadents artists fascinated with ghoulish, gothic tales.
· In Poe's The Black Cat (1893) a cat, having
been cruelly mistreated by its owner, the narrator, retaliates by biting him.
· Enraged, its owner gouges out its eye and
eventually hangs his pet. When he comes across a similarly coloured cat,
pictured here by Beardsley, the narrator becomes agitated and, in a fit of
rage, accidentally kills his wife instead of his intended target.
· He conceals his wife behind a cellar wall,
unknowingly trapping the cat there as well.
· Police locate the body of his wife only upon
hearing the cat, perched atop the deceased's head, wailing loudly from behind a
brick wall.
· Beardsley's strikingly distilled design
complements the dark content. Thin, sinuous lines delineate the elegant
creature from the darkness surrounding it.
· Beardsley accentuates the cat's sharp claw
and accusing eye that so haunted the narrator as a living reminder of his
abusiveness.
· Poe referred to the black cat, forever at his
heels as, "an incarnate nightmare that I had no power to shake off -
incumbent eternally upon my heart!"
· A quintessential example of Beardsley's early
style, The Black Cat consists of large swaths of black and white areas delineated
by basic outlines and almost entirely void of decorative details.
· The
black cat is a diabolic beauty that was symbolic of superstition in folk tales,
a key motif representing night, danger, and sexual desire in art, and an
important symbol in the works of Baudelaire, who hugely influenced a number of
modern movements. Interestingly, in 1910, Futurist painter Gino Severini also
created a work under the same title.
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