ART NOUVEAU

ART NOUVEO


The Movement’s Origins

  • The term Art Nouveau first appeared in the Belgian art journal L’Art Moderne in 1884 to describe the work of Les Vingt, a society of 20 progressive artists that included James Ensor
  • These painters responded to leading theories by French architect Eugène-Emmanuel Viollet-le-Duc and British critic John Ruskin, who advocated for the unity of all arts. 
  • In December 1895, the German-born art dealer Siegfried Bing opened a gallery in Paris named “Maison l’Art Nouveau.”



ARTIST

AUBREY BEARDSLEY

Related image

  • Aubrey Beardsley's artistic career was remarkably impact for its brevity. 
  • In the seven years he was able to draw and write before succumbing to tuberculosis, Beardsley developed a reputation as one of the most controversial artists of his time. 
  • The diabolic beauty of his work and its overwhelming presence in English publishing houses meant that Beardsley quickly became the most influential draftsman of his time.
  • More than mere illustrations, Beardsley's images captured the mood of the accompanying text, while aggressively critiquing repressive Victorian concepts of sexuality, beauty, gender roles, and consumerism.


THE PAINTING

The Black Cat
Image result for AUBREY BEARDSLEY THE BLACK CAT


Artwork description & Analysis:
  •  Beardsley produced this illustration for one of Edgar Allan Poe's darkest tales by the same name.

·  Poe was an important literary figure for Symbolist and Decadents artists fascinated with ghoulish, gothic tales.

·   In Poe's The Black Cat (1893) a cat, having been cruelly mistreated by its owner, the narrator, retaliates by biting him.

·   Enraged, its owner gouges out its eye and eventually hangs his pet. When he comes across a similarly coloured cat, pictured here by Beardsley, the narrator becomes agitated and, in a fit of rage, accidentally kills his wife instead of his intended target.

·   He conceals his wife behind a cellar wall, unknowingly trapping the cat there as well.

·  Police locate the body of his wife only upon hearing the cat, perched atop the deceased's head, wailing loudly from behind a brick wall.

·   Beardsley's strikingly distilled design complements the dark content. Thin, sinuous lines delineate the elegant creature from the darkness surrounding it.

·   Beardsley accentuates the cat's sharp claw and accusing eye that so haunted the narrator as a living reminder of his abusiveness.

·   Poe referred to the black cat, forever at his heels as, "an incarnate nightmare that I had no power to shake off - incumbent eternally upon my heart!"

·   A quintessential example of Beardsley's early style, The Black Cat consists of large swaths of black and white areas delineated by basic outlines and almost entirely void of decorative details.

·   The black cat is a diabolic beauty that was symbolic of superstition in folk tales, a key motif representing night, danger, and sexual desire in art, and an important symbol in the works of Baudelaire, who hugely influenced a number of modern movements. Interestingly, in 1910, Futurist painter Gino Severini also created a work under the same title.

Comments

Popular posts from this blog

ROMAN ART

EARLY MEDIEVAL ART

GREEK ART