- Buddhist architecture. Buddhist religious architecture developed
in the Indian subcontinent in the 3rd century BCE. In accordance with changes
in religious practice, stupas were gradually incorporated into chaitya-grihas (prayer halls).
- The earliest Buddhist
construction of
significance was the stupa, but these were sculpture not structure. Probably
the most significant site is at Sanchi where as well as having
one of the best preserved Indian stupas, the full range of Buddhist art and
architecture from the third century BC to the twelfth AD can be studied
here.
Complex
of Buddhist monuments
- The
complex of Buddhist monuments on top of the hill at Sanchi in central India is
unique. As well as having one of the best preserved Indian stupas, the full
range of Buddhist art and architecture from the third century BC to the twelfth
AD can be studied here and was thought to have been laid by King Asoka (c. 273 – 236 BC) with the building of the
main stupa, the hill-top outline showing the arrangement of buildings.
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- In the first century B.C., India’s
artists, who had worked in the perishable media
of brick, wood, thatch, and bamboo, adopted stone on a very wide scale.
- Stone railings and gateways, covered with
relief sculptures, were added to stupas.
- Favourite themes were events from the
historic life of the Buddha, as well as from his previous lives, which were believed to number 550.
- The latter
tales are called Jatakas and often
include popular legends adapted to Buddhist teachings.

- Buddhism was
introduced to China, it also found expression in the traditional Chinese art
forms of calligraphy and painting.
- these two art forms have long been
ranked the highest in the hierarchy of fine art in China, and calligraphy and
paintings with Buddhist themes most tellingly illustrate the interplay between
Buddhism and Chinese culture.
- Over the past 30 years, Fan Keqin, who is based in Shanghai,
has amassed an impressive collection of Buddhist-themed Chinese paintings and
calligraphy and dating from the Tang dynasty (618–907) all the way to
the Republic Period (1912–49), were created by some of the most influential
Buddhist monks, scholar officials, and professional artists throughout Chinese
history.
CHARACTERISTIC
OF BUDDHIST ART
·
Buddhist
Architecture
a) Stupa - mound shape shrine with no
interior
Reliquary - Worshippers gain spiritual merit
through being in close proximity to its contents.
·
Buddhist
Painting + Sculpture
a) Buddha’s with compact pose with
little negative space
- Often seated
- Drapery varies
b) Generally frontal, symmetrical, have
nimbus (halo)
c) Bodhisattvas : helpers usually near
Buddha
d) Buddha’s actions + feelings are
revealed by hand gestures mudras
e) Head has top knot, Ushnisha, and hair
series of tight curls
f)Yakshas ( males ) + vakshid ( female
): nature spirits
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